Pedro Pascal CONFIRMS That 'Trans' Is A Medicalized Gnostic Cult Of Woo Woo

A Pink News interview for the ages

The phrase “protect the dolls” speaks to the inherently pedophilic interest that grown men have in altering the bodies of children so they never grow up

Hollywood astroturfers have elevated Pedro Pascal as the new, non-toxic male that is supposed to bring the ‘modern audience’ to see his films. Through transparently facetious efforts, Pascal has been labeled for sale as ‘the internet’s daddy’ in a failing attempt at social engineering of the movie audience.

Because he has a trans-identified brother, Pascal has adopted an extreme position on the issue, for example abhorring J.K. Rowling as a “heinous loser” because the UK supreme court agrees with her that so-called ‘trans women’ are men. In doing so, Pascal has become a prominent public evangelist for a new gnostic religion. His statements on the topic are patently spiritual woo woo.

The latest example is an interview with Pink News last week. “It’s important to protect people, and human beings, especially those that are simply asking for the right to exist in … the bodies that belong to them, and in the world that they never asked to be brought into,” Pascal said.

Any student of gnosticism will recognize their subject. Writing on “the profusion of gnostic experiences and symbolic expressions” in his book Science Politics & Gnosticism: Two Essays, German-born political philosopher Eric Voegelin describes this exact formula of meaning. Gnostic narratives relate “the experience of the world as an alien place into which man has strayed and from which he must find his way back home to the other world of his origin,” Voegelin says.

“Who has cast me into the suffering of this world?” asks the “Great Life” of the gnostic texts, which is also the “first, alien Life from the worlds of light.” It is alien in this world and this world is alien to it.

Pascal followed up this patent gnostic statement by describing ‘trans’ as a world-savior ideology. “And it’s a very small, vulnerable, inspiring, courageous and brave community that fills me with a lot of … inspiration. And so therefore I think that, you know, it’s very important to protect that in humanity. They would do that for us,” Pascal opined. We must save the ‘trans kids’ so they can save us all.

If he talked like this while thumping a Bible or a Qur’an, we would all know what he is, and react accordingly. But since Pascal is merely thumping his chest, or a copy of Judith Butler’s gnostic bible Gender Trouble, too many Americans still do not recognize that Pascal is prostletyzing when he speaks. Watch:

Pascal’s words reflect the alienation of the gnostic believer from the physical world. “Gnostic man no longer wishes to perceive in admiration the intrinsic order of the cosmos. For him the world has become a prison from which he wants to escape,” Voegelin writes.

“The great speculative mythopoems of gnosticism revolve around the questions of origin, the condition of having-been-flung [into this world], escape from the world, and the means of deliverance.” Through special inner knowledge of the self (gnosis), “the soul will be able to disentangle itself through knowledge of its true life and its condition of alienness in this world.”

The reader might think of The Matrix here, with its choice of blue and red pills, and in fact that film was widely understood as a gnostic fable until the Wachowski brothers decided to pursue medical ‘transition’, whereupon the movie was reinterpreted as a ‘transition’ story. It was easy to make this sidewise shift because ‘trans’ ideology is intrinsically gnostic from top to bottom.

Vogelin explains that modern totalitarian statist movements, namely communism and socialism, are in fact gnostic religion wearing secular costume. Pascal came to Hollywood with far-left opinions. His gnostic religion (“activist mysticism”) is properly understood as gender communism. Like all trans rights activists, Pascal says that he wants to be on “the right side of history.” For the gnostic believer “is the the herald of being, which he interprets as approaching us from the future,” Voegelin writes. There is nothing new under the sun.

But Pedro Pascal did not come from the future. On the contrary, he represents the past decade of progressive politics wrecking once-great film franchises with DEI production values, identity-checkbox casting, and the utter garbage scripts produced by activist mystics who don’t know how to write dialogue that sounds human. Pascal has been typecast as the emasculated male with correct opinions who lets the girlboss run the show.

Starting with Fantastic Four: First Steps in two weeks, his falsified public appeal is about to be severely tested by a sequence of films that appear to carry on with the woke political project that has cost filmmakers billions in recent years. Pascal should prepare for a future in which his star has set.